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From Mother and Daughter 01 - 10
#1
From Mother and Daughter

I

Young laughters, and my music! Aye till now
The voice can reach no blending minors near;
’Tis the bird’s trill because the spring is here
And spring means trilling on a blossomy bough;
’Tis the spring joy that has no why or how,
But sees the sun and hopes not nor can fear—
Spring is so sweet and spring seems all the year.
Dear voice, the first‐come birds but trill as thou.
Oh music of my heart, be thus for long:
Too soon the spring bird learns the later song;
Too soon a sadder sweetness slays content
Too soon! There comes new light on onward day,
There comes new perfume o’er a rosier way:
Comes not again the young spring joy that went.
ROME, November 1881.


II

That she is beautiful is not delight,
As some think mothers joy, by pride of her,
To witness questing eyes caught prisoner
And hear her praised the livelong dancing night;
But the glad impulse that makes painters sight
Bids me note her and grow the happier;
And love that finds me as her worshipper
Reveals me each best loveliness aright.
Oh goddess head! Oh innocent brave eyes!
Oh curved and parted lips where smiles are rare
And sweetness ever! Oh smooth shadowy hair
Gathered around the silence of her brow!
Child, I’d needs love thy beauty stranger‐wise:
And oh the beauty of it, being thou!


III

I watch the sweet grave face in timorous thought
Lest I should see it dawn to some unrest
And read that in her heart is youth’s ill guest,
The querulous young sadness, born of nought,
That wearies of the strife it has not fought,
And finds the life it has not had unblest,
And asks it knows not what that should be best,
And till Love come has never what it sought.
But she is still. A full and crystal lake
So gives it skies their passage to its deeps
In an unruffled morn where no winds wake,
And, strong and fretless, ’stirs not, nor yet sleeps.
My darling smiles and ’tis for gladness’ sake;
She hears a woe, ’tis simple tears she weeps.


IV

’Tis but a child. The quiet Juno gaze
Breaks at a trifle into mirth and glow,
Changed as a folded bud bursts into blow,
And she springs, buoyant, on some busy craze,
Or, in the rhythm of her girlish plays,
Like light upon swift waves floats to and fro,
And, whatsoe’er’s her mirth, needs me to know,
And keeps me young by her young innocent ways.
Just now she and her kitten raced and sprang
To catch the daisy ball she tossed about;
Then they grew grave, and found a shady tree,
And kitty tried to see the notes she sang:
Now she flies hitherward—“Mother! Quick! Come see!
Two hyacinths in my garden almost out!”


V

Last night the broad blue lightnings flamed the sky;
We watched, our breaths caught as each burst its way,
And through its fire out‐leaped the sharp white ray,
And sudden dark re‐closed when it went by:
But she, that where we are will needs be nigh,
Had tired with hunting orchids half the day.
Her father thought she called us; he and I,
Half anxious, reached the bedroom where she lay.
Oh lily face upon the whiteness blent!
How calm she lay in her unconscious grace!
A peal crashed on the silence ere we went;
She stirred in sleep, a little changed her place,
“Mother,” she breathed, a smile grew on her face:
“Mother,” my darling breathed, and slept content.


VI

Sometimes, as young things will, she vexes me,
Wayward, or too unheeding, or too blind.
Like aimless birds that, flying on a wind,
Strike slant against their own familiar tree;
Like venturous children pacing with the sea,
That turn but when the breaker spurts behind
Outreaching them with spray: she in such kind
Is borne against some fault, or does not flee.
And so, may be, I blame her for her wrong,
And she will frown and lightly plead her part,
And then I bid her go. But ’tis not long:
Then comes she lip to ear and heart to heart.
And thus forgiven her love seems newly strong,
And, oh my penitent, how dear thou art!


VII

Her father lessons me I at times am hard,
Chiding a moment’s fault as too grave ill,
And let some little blot my vision fill,
Scanning her with a narrow near regard.
True. Love’s unresting gaze is self‐debarred
From all sweet ignorance, and learns a skill,
Not painless, of such signs as hurt love’s will,
That would not have its prize one tittle marred.
Alas! Who rears and loves a dawning rose
Starts at a speck upon one petal’s rim:
Who sees a dusk creep in the shrined pearl’s glows,
Is ruined at once: “My jewel growing dim!”
I watch one bud that on my bosom blows,
I watch one treasured pearl for me and him.


VIII

A little child she, half defiant came
Reasoning her case—’twas not so long ago—
“I cannot mind your scolding, for I know
However bad I were you’d love the same.”
And I, what countering answer could I frame?
’Twas true, and true, and God’s self told her so.
One does but ask one’s child to smile and grow,
And each rebuke has love for its right name.
And yet, methinks, sad mothers who for years,
Watching the child pass forth that was their boast,
Have counted all the footsteps by new fears
Till even lost fears seem hopes whereof they’re reft
And of all mother’s good love sole is left—
Is their Love, Love, or some remembered ghost?


IX

Oh weary hearts! Poor mothers that look back!
So outcasts from the vale where they were born
Turn on their road and, with a joy forlorn,
See the far roofs below their arid track:
So in chill buffets while the sea grows black
And windy skies, once blue, are tost and torn,
We are not yet forgetful of the morn,
And praise anew the sunshine that we lack.
Oh, sadder than pale sufferers by a tomb
That say “My dead is happier, and is more”
Are they who dare no “is” but tell what’s o’er—
Thus the frank childhood, those the lovable ways—
Stirring the ashes of remembered days
For yet some sparks to warm the livelong gloom.


X

Love’s Counterfeit.

Not Love, not Love, that worn and footsore thrall
Who, crowned with withered buds and leaves gone dry,
Plods in his chains to follow one passed by,
Guerdoned with only tears himself lets fall.
Love is asleep and smiling in his pall,
And this that wears his shape and will not die
Was once his comrade shadow, Memory—
His shadow that now stands for him in all.
And there are those who, hurrying on past reach,
See the dim follower and laugh, content,
“Lo, Love pursues me, go where’er I will!”
Yet, longer gazing, some may half beseech,
“This must be Love that wears his features still:
Or else when was the moment that Love went?”
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